Kinshasa Congo Music
In the Democratic Republic of Congo, musicians have found a new - and very old - way of surviving. They are forced to rely on food, water, shelter and other essential goods such as food and water.
Beta Mbonda is a percussion band in Kinshasa, which consists of so-called Kuluna, who have decided to change their lives and concentrate on their music.
Grabbing a microphone, he told a surprised patron that he was confident Kibombo's music would be promoted in the Congolese capital Kinshasa. In 2004, I met Franco Simaro, founder of Congo Jazz, a group of musicians who were in KinhasA to document the music scene. He had been on an extensive tour in Europe and had crossed the Congo to record songs for a new album by his group, Congo Jazz. Simaros had given up his job as drummer in another group called Congo's Jazz to join Franco, who was planning a trip to Belgium to record an album.
For those of us who attended the three-day event, it was proof that the future could be better. Change, "which played to a packed house of thousands in Kinshasa, the capital of the Democratic Republic of Congo.
The future of Congo depends on the ability of ordinary people to overcome political rhetoric and hatred. African-style democracy, in which the average citizen unites with his fellow citizens in the struggle for freedom, justice and equality.
Despite its deep poverty and endemic instability, the Democratic Republic of Congo is a creative powerhouse, and its chequered political history has one of Africa's richest soundtracks. The pop sound emanating from the capital Kinshasa in the Congo has shaped modern African culture more deeply than any other, from soukous rumba to zairois to kwassa - kassas. She has influenced pretty much every African style of music (call it "congo music," "soukous" or "ndombolo," if you like), but she has produced music that speaks for itself. It is firmly established at the top of African music and is prayed by the so-called Pan - African Allstars, a group of the most talented musicians and musicians from all over Africa. The pan-African AllStars website succinctly states: "The music of Congo, as well as of many other African countries, is the soundtrack of life.
This partly explains how Kinshasa, renamed the capital of the Democratic Republic of Congo (or Congo Republic, as it was then called) in 1966, spread throughout the colony and the continent. Belgian colonial rule, the factories sprouted like mushrooms in the city and the factories in what was then the "capital of the Belgian" (officially: "Democratic Republic").
The group set off for Tanzania and Kenya when the then-Congo's economy deteriorated in the 1970s. Writer Gary Stewart says: "The wounds were not healed until the band reformed and played at the Palais du Peuple in Kinshasa.
The song was an immediate success in the Congo and East Africa and was voted the Sairian Song of the Year. The song, which celebrated the country's independence from Belgium, became a popular song in Kinshasa and the newly-named Democratic Republic of Congo (DRC). The music was created in what was then called "Kins hasa" or "Democratic Republic (Congo)." (or "Democratic Republic of Congo"), and rumba became the national anthem of the new country and its new capital, Goma. While the other Congo is often called Congo Brazzaville, Congo KinhasA distinguished itself as an independent country with its unique culture and culture.
The Congo is located in Central Africa and borders the Democratic Republic of Congo (DRC) and the Central African Republic (CAR). Named after the largest ethnic group living at the mouth of the vast Congo, the borders of the Congo (or "Democratic Republic" in the Congo) were first drawn at the Berlin Conference of 1884-1885. The two countries, called Congo, are the only two independent countries in the world with a population of more than 100 million people.
The difference, Mafuta says, is the result of different colonial histories; he also notes that a type of music called Ndombolo, which dominated from the late 1940s to the mid-1980s, originated in Kinshasa. African roots stem from ikembe (thumb piano), which influences the way Congolese musicians pick the guitar. The defining feature of this style is the Mabanga, or "guitar music," which is called "Congolese guitar music" in many parts of English-speaking Africa. Buroko says that "Mabangas" is a term for a band called "The Congo" and not just a name for the country's music.
A central element of this history is Kinshasa's history as a city known for its rich cultural heritage, from colonial history to modern history.
Despite these superficial changes, Wembley's music continues to excite the youth of Kinshasa as it has for decades. Le Grand Kalle is considered the father of modern Congolese music, which began in 1953 as a band with a strong focus on the traditional music of his home country. The rise of East African bands formed in the late 1950s and early 1960s in Congo gradually integrated new elements, including Kenyan and Bengali music, and produced the "Swahili Sound" or "Congolese Sound."